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modernism

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  • Harvest Nights features a textured painting of a white house with a red roof next to a large, bright yellow tree on a blue background, with abstract grass in the foreground.

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    Harvest Nights

  • In Home is Heavens Gate I, two trees with round, yellow and orange foliage stand against a blue, swirling sky. Textured grass covers the ground, while sunlight brightens the upper right corner.

    Home is Heaven’s Gate I

  • Home is Heavens Gate II is a vibrant abstract painting featuring tall grasses in yellow, green, and orange beneath a blue sky with wispy clouds, evoking the lively texture of a breezy meadow on a sunny day.

    Home is Heaven’s Gate II

  • Intersections, No. 1 is an abstract mixed-media artwork with fragmented letters HIJ OP CUV on the left, geometric shapes, colorful lines, overlapping patterns, and layered textures in blue, white, and green tones.

    Intersections, No. 1

  • Intersections, No. 15 is an abstract mixed-media painting with layered blue, white, and gray tones, featuring cut-out magazine text, painted shapes, textured brushstrokes, and Shocks signature in the lower right corner.

    Intersections, No. 15

  • Intersections, No. 3 is an abstract mixed-media collage of overlapping blue, black, white, and purple rectangles and squares with photos, textures, printed text, and a central yellow square featuring a bearded face.

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    Intersections, No. 3

  • Intersections, No. 4 is an abstract painting featuring blue, purple, and green shapes, lines, and blocks forming layered textures. Some elements resemble buildings or signs, with occasional letters and numbers visible in the composition.

    Intersections, No. 4

  • Intersections, No. 8 is a colorful abstract collage with layered textures, geometric patterns, vintage photos, and text. It features a man in a suit and the word REP on a retro poster, all accented by paint splatters throughout the composition.

    Intersections, No. 8

  • Monologue No. 48 is an abstract painting featuring bold black, blue, and gray brushstrokes on a white background with dynamic, sweeping lines and overlapping shapes that evoke movement and energy.

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    Monologue No. 48

  • Monologue No. 55 is an abstract painting with soft pink, beige, and white tones, bold layered brushstrokes, and accents of black, purple, and blue. Shapes and lines add depth and movement throughout the canvas.

    Monologue No. 55

  • Neuroplasticity No. 15

    Neuroplasticity, No. 15

  • Neuroplasticity, No. 17 is a colorful abstract collage with geometric shapes, grid patterns, numbers, and mixed media textures in blue, green, gray, yellow, and white—featuring sketchy lines and layered papers throughout.

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    Neuroplasticity, No. 17

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Text logo reading Virginia is for Lovers with the word Lovers featuring a red heart icon in place of the letter V. The text is in bold, black capital letters on a white background.
©2026 Stravitz Sculpture and Fine Art Gallery. All Rights Reserved.
1217 Laskin Rd, Virginia Beach, VA 23451 | (757) 305-9411
Open Monday-Saturday 10am - 6pm. Closed on Sunday.
All photography of the Stravitz Sculpture & Fine Art Gallery was done by Christopher Tolton.
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